![]() ![]() Ideas, recommendations on what to do and what not to do, a myriad of examples of good practice in museums around the world, together with the occasional failure, make this a bedside book for present-day museography.Įvery museum, every cultural centre, depending on the typology of its holdings and, above all, in harmony with its mission and objectives, will find here ideas and proposals of real value. ![]() With a rigorous methodology, in The Participatory Museum Nina Simon presents the different stages of participation museums can offer. The museum visitor, now accustomed to being an agent in the virtual environment must also be offered channels of expression and participation in the physical environment of the museum. ![]() But the idea of participation goes far beyond the Web 2.0. And it’s true that the social networks provide endless options to share, comment, recommend, co-create and, in short, participate so easily and so immediately that we’re still getting used to. The concept of public participation is associated above all these days with the track opened up by social media. ![]() To get us nicely warmed up before the lecture that Nina Simon will give at the Museu Picasso on Wednesday 17 November, we offer you a review of her widely acclaimed book. ![]()
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May 2023
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